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Oct 28, DiskAid lets you use your iPhone or iPod touch for data storage. (which lets you choose a file or folder using a Mac OS X navigation dialog).


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Next, choose a font. If you need a good place to find fonts, try FontBundles.

Every week they have a free font, and they also have great deals on individual fonts and bundles as you might guess from their name. See their current free fonts. You need to download and install the font on your computer. When you click it, a zipped folder will appear in your downloads folder on your computer, or right here at the bottom of your screen even.

Thin Fonts - Download free styles - FontSpace

Click to open the folder. You are interested in ones that say Open Type or True Type — those will be the actual font files. Often a downloaded typeface has more than one font weight included — like bold for example. Pick just one you want, or all of them to install!

Monster Font

Double-click the name of the font and it will open in a new window. You can also use them in Cricut Design Space! Open Design Space and add some text. Search for the name of the font you want, or scroll through the options and click the one you want. Read this post on using fonts in Cricut Design Space. Type words in the text box.

You can you back and change the font used by clicking on a word and changing the fonts the same way you selected one before. To connect script letters so they cut out in a single cut instead of each letter being their own cut, you need to weld them together.

Ductus/Thomas Jockin

Now the letters are separate and you can move them to be barely overlapping where it looks like they would naturally connect. Zoom in to get more precision. Do you have any questions about using downloaded fonts with your Cricut? UK domain. In agreement with other comments above I would also love to see this font released for, at least, personal use. Comment by Ampersand - Red Badger posted on on 24 July Comment by Martin Gara posted on on 06 July How have you gone with mobile devices to date?


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The PC combinations are somewhat easier to support than the mobile market. Comment by Yosh Talwar posted on on 02 May If GOV. UK receives funding by the UK government which I believe it does , and the typeface New Transport was commissioned for government use, then I think you have the responsibility to release the typeface for public use. It rubbed me the wrong way when I learnt this font isn't available for commercial use, let alone personal use. Please do the right thing. Comment by Paul Mackay posted on on 19 March Comment by jeff posted on on 26 February Where can we download a copy of this font from, for use in desiging government sites linking to gov.

Comment by Kenny Moran posted on on 17 December Simple question. Will the "New Transport" font be used for road sign design, e.

The Rain - Regular

And when? Comment by Mark O'Thebeast posted on on 08 November It's not installed by default on Windows PCs. Just as long as the public money is being spent wisely and there are experts in charge who know what they're talking about. Comment by Joshua Marshall posted on on 21 November The font order we've chosen means that, yes, on a Mac you'll see Helvetica first, but for Windows users they'll see Arial. We know not everyone has Helvetica and, on Windows, Helvetica is far from the best choice.

We've been pragmatic about our choices when the web font is unavailable. We've since a new version of the typeface that should render much better in Firefox and Chrome, too. Comment by gerphy posted on on 08 November Why do you think you know better what they want to read? The primary aim of the government sites should be the communication of information and usability in doing so.

How to Use My Own Fonts with Cricut

Webfonts have been around for many years and are still not deployed in consistent ways on all the many browsers that you are required to support. The less you rely on difficult and unnecessary technologies, the more accessible the site becomes, and the more usable it is for your users. Comment by John F posted on on 12 November I can't say I know of anyone who changes their default fonts. For those who do, I think the browser has an option to force fonts to be the user's choice, not the web designer's. My concern would be the lower-case a.

Probably the one valid reason Comic Sans is ever used is where there is a limited selection of fonts and you need a single-story lower-case a, e. Comment by Mark Barratt posted on on 12 November John F: "Probably the one valid reason Comic Sans is ever used is where there is a limited selection of fonts and you need a single-story lower-case a, e. What makes you think a single-storey a is better for dyslexic readers? As far as I'm aware that still doesn't exist since it affects people differently.

There's a great book called Dyslexia in the Digital Age by Ian Smythe that I found quite helpful - it lists a lot of the research that's been done over the years into type legibility. Still, we're aware that one-size won't likely fit all, but we're willing to be persuaded that there are better options out there. Comment by Mark Barratt posted on on 21 November Me neither, on conclusive research, at least to date. Didn't know the Smythe book, which looks interesting and I'll check it out.

The single-storey a and simplified g are hot topics among research-oriented typographers, especially those interested in early-years reading. There's not a large research base on this and what there is suggests performance differences are absent or slightly favour two-storey a etc. This doesn't tell us anything about dyslexic users - unfortunately nothing I can find does. Black, solid but maybe just a bit softer and slightly less obvious, after a bit of [ Comment by Mark Barratt posted on on 17 July I've been working on the site since the initial alpha, and since we started we've experimented with lots of different additional typefaces to help users who may not feel the default face we picked worked well enough for them.

Over the months we were iterating our designs we tried lots of different typefaces, different weights, we tried things like high-contrast stylesheets and ones optimised to be more "dyslexia-friendly" which linearised the layout and removed extra ornamentation like bold weights and italics. We tested serifs, sans-serifs, we looked at type that was marketed as being specifically "dyslexia-friendly" such as Sassoon, OpenDyslexic, Comic Sans, FS Me which was developed with the aid of Mencap, and over time we started to experiment with Transport. What we learned from our user testing along the way was that the more we focussed on simplifying everything on the site - including the language - the site became more readable by everyone.

Stripping the site back to mostly one weight and one typeface has tested very positively with disabled people and non-disabled alike, and we think that's worth the tradeoff when there are a few individuals who think the typeface we've chosen isn't to their taste. Ben's use of "best" there is obviously subjective, but we found through testing that it was the one viewed most positively by our users. It seems a very open and effective approach compared with, say, ticking boxes on WCAG checklists though I guess you have done that too!

Comment by Steph Gray posted on on 17 July I admire the thought and effort that's gone into the choice of typeface and optimising it for the web today's follow-up post. I can understand that New Transport is optimised for reading short blocks in difficult conditions - e. Just as an amateur in these things, I personally found the previous serif typeface easier to read in longer chunks.

Comment by Brendan Nelson posted on on 08 July Seems like the right decision to make and a great face to have chosen. Gill Sans is such an obvious choice for public service projects and GDS could have easily gone down that route, which would have let the whole identity down. Well done for spotting that and sorting it out so early on. Comment by applause posted on on 05 July Like the font and the principles but if only half the browsers are fully supporting it may be a bit previous. Comment by Josh T. When you say you're working on a different version for IE, do you mean that it uses hinting for ClearType?

Comment by Terence Eden posted on on 05 July One comment, the "at" symbol looks really weird. Like an "a" encircled by an "O" rather than the usual. That's probably feedback for the font designers, though.

The rest of the typography is really easy on the eye - especially when it's black text on a grey background. Skip to main content. Why webfonts? Introducing a new tool - Licence Finder. Civil Service Live - Social media workshop. Comment by Aram posted on on 04 April The work you people do on this website is amazing. Link to this comment.

Comment by Dominic posted on on 01 March What is the closest web safe font with which to follow New Transport in a font stack? Comment by OGA posted on on 03 September I think it is truly awful, not easy to read and makes concentration difficult, and black on white is too stark.

Comment by Lee Goddard posted on on 17 July Is the licence for this beautiful, legible font for all domains under gov.